After almost twenty years in the making, Rahna Reiko Rizzuto reflects on the many influences and the long process of bring a novel into the world. On Friday, this essay appeared on Lit Hub’s Crime Reads. “My novel was sparked by a true crime, but it refused to become a thriller. Nearly two decades ago, a friend of mine was raped…”
I was welcome to stay at her house as long as I wanted, but had to come with her out to the ranch to meet and feed her horse, Kansas.
Last week I finished my first pass page proofs for Shadow Child, my new novel coming out in May. I started it in the year 2000. Holding those pages in my hands, with their elegant design and their printing marks,
There is a stack of summer books on the floor still to return to the library, that have reached their renewal limit, overdue.
Goddard College MFAW faculty member Kenny Fries: The editor wanted to crop the photograph so it only showed, close-up, the lower portion of the photograph, which showed my cane and shoes. Next to it would be a similarly cropped version of a photo of South African Olympic runner Oscar Pistorius, taken long before his trial for murdering his girlfriend.
Goddard College MFAW alumna Christine Kalafus: What happens when nothing happens has this practical, grown-up writer falling prey to childlike superstition. My jeans fit today with no evidence of muffin-top so clearly I will win Big Essay Contest! or My mother has called three times and I haven’t called her back; obviously Prominent Literary Magazines will say no. If my grown-up bargaining isn’t exactly like what I experienced as a kid, it feels unnervingly close. I am reminded that, whenever I wait for a subjective response, I’m in danger of handing someone else my self-esteem.
Self-publish? Mon Dieu! and Sacre bleu! Never! After all, we students in Goddard’s MFA Creative Writing program aim to hone our writing to such an elegant point that we assume agents and publishers will beat down our doors, right?
Goddard MFA Faculty member Victoria Nelson talks about literary life tests: the ones you face out there in the world after you graduate. “Pay attention to the outside cues…”
I had no idea how to start a press but my fingers searched for the path and I began to feel my way in the dark, researching different options and learning as I went along while fueled by the love of writing poetry and the love of sharing poetry that I loved.
Today it’s popular to say that political correctness is destroying America, but a recently discovered set of century-old clippings offer a cautionary reminder of what our country was like without political correctness. Goddard MFA faculty member Aimee Liu’s opinion piece about political correctness and her family history was published in the LA Times on March 27.
By Heather Leah Huddleston Goddard MFA alumna Carolyn Locke’s poetry embodies the spiritual, the ethereal, and the human, all wrapped in a tight package to create sense, meaning, and magic of this world. Her words reflect that which we all
Poet Jane Wohl’s new book, Learning from Old Masters is just out! Below is an interview with Jane about her latest: 1) Who are the Old Masters? I took the title of the book from the title of the first
by Christine Kalafus Last spring I received an unexpected email from the outgoing Editor-in-Chief of The Pitkin Review. It read: “I wanted to ask if you’d be interested in filling the position of Editor-in-Chief next semester.” I nearly
So, how does it feel to know that your 1999 memoir, Apples and Oranges: My Journey Through Sexual Identity, originally published by Houghton Mifflin, will be reissued by Seven Stories Press? Do you think this is a good moment for
Most writers live in Limboland. Limboland is that place you go to while waiting for someone (anyone!) to get back to you with a response to your work. The good thing is that it’s full of people just like you