By chance or design, I held the words of the Salvadoran poet Claribel Alegría, later translated by poet Carolyn Forche and published by Pittsburgh in Flowers from the Volcano.
Lately I’ve been thinking a lot about thrillers. About why recently I’ve been reading them compulsively at all hours of the day and night. Maybe the subject for a new book? I’m thinking about that. In the meantime I devour them at a great rate.
Because Yearning and Dread is the theme of our upcoming Goddard residency, I’ve been thinking lately about the role these emotions play in my own writing, and as I look back over my fiction, particularly my novels, it seems pretty clear that the yearning and dread that fuel my work revolve around my parents.
2018 marks two milestones in my life.
This past March, I turned 40, which everyone assures me is the new 30. (It’s also, unsurprisingly, the old 60, but no one wants to talk about that.) To celebrate my fortieth birthday, my husband attempted to coerce me into having a celebration worthy of the occasion, a lavish gathering of family and friends and colleagues, crammed into a modestly priced rental hall to eat finger foods we didn’t cook set to music we only vaguely remembered selecting. I refused. Does anybody really need to see me drunk and dancing awkwardly to another Macklemore song about inclusion? I don’t think so.
After almost twenty years of teaching in the MFA in Creative Writing program at Goddard, I am going to retire. When I first started working at Goddard, there was one campus only, in Vermont. I went to Plainfield, where I’d
Wanderer was one of the last documented ships to carry an illegal cargo of slaves from Africa to the United States, landing at Jekyll Island, Georgia on November 28, 1858, arriving with some 400 slaves who survived the voyage from Angola.
The Creative Independent, “a growing resource of emotional and practical guidance for creative people,” featured MFAW-VT faculty member Douglas A. Martin in their Sunday Edition Interview. Here is a taste: “My book began its life as a dissertation. My approach was something like
One of the many reasons I envy Goddard students is that they have deadlines.
What do writing, politics and the Tarot have in common? On November 7th, 2017, I was elected Town Supervisor of Pine Plains, New York.
Do you suppose Hannibal Lecter does his own laundry? It’s easy to see a white collar criminal doctor sending his whites out to be dry cleaned and pressed by an efficiently outsourced place with pink boxes. But I imagine, what with the blood stains and all, doing it himself is a better plan. So there he is in the basement—or, I guess he has one of those fancy laundry rooms on an upper floor with sunny yellow walls and a sign that says “Wash. Dry. Fold. Repeat.”— sorting whites and red and pulling out the bleach and hoping it doesn’t ruin his favorite sweater…
As a disabled writer, for over two decades I’ve looked at how disability is represented in our literature. This interest has taken me across the globe, with a special focus in disability representation in Japan, and more recently in Germany. I’ve taught classes and given talks on disability representation at many universities and conferences in North America, Japan, and Europe.
Get out your pens! Head for the future by writing big!
My mom died three years ago and long before then, I knew I’d be writing about how it would all go down. Somehow, so did she. I was barely a teen, when after a particularly disturbing episode in our family’s constant chaos, my mother jerked my elbow towards her oversized chest and through her teeth spat, “Don’t you EVER write about this!!”
You asked for them: Those moving, inspiring, thought-provoking keynote and graduation lectures that you couldn’t stop thinking about. At the residencies for the Goddard MFA in Creative Writing program, “Can I get a copy of that?” is an even more
Sassafras Lowrey: these words can’t wait for spell check
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